projekt-heterologia


India’s new design policy
February 16, 2007, 11:45 pm
Filed under: Articles, News

by John Thackara (from http://www.doorsofperception.com/)

When I first visited India 20 years ago, the country had fewer design teachers for a population of more than a billion people than had Wales – whose population is three million. The supply of teachers seemed to be stuck because India had just one national public design school: the National Institute of Design (NID) in Ahmedabad.

NID had (and has) extremely smart faculty and students. But their number – 400 or so per cohort – is tiny in comparison with the 60,000 elite students who attend the country’s Indian Institutes of Technology (IITs) – and who have played such a major role in the global IT boom.

It’s good news, then India’s new National Design Policy, which was published on Friday, decrees that four more National Institutes of Design, on the pattern of NID, will be set up in different regions of the country.

The new policy also encourages the establishment of departments of design in all IITs, the National Institutes of Technology (NITs), and in prestigious private sector colleges. The objective is to spread quality design education to all regions of India.

So far, so good. But I was shocked and dismayed to find no mention of climate change, sustainable development, or resource efficiency, in the press release describing the Cabinet’s “vision for a National Design Policy.”

The emphasis of the vision is on “making India a major hub for exports and outsourcing of designs.” This does not sound like the basis for a post-waste, post-consumerist, sustainable economy.

Frankly, if it ignores sustainability, India’s new design policy will make the global situation worse. A lot worse. 80% of the environmental impact of products, services and infrastructures is determined at the design stage, and India is a global industrial power.

Along with other friends of Indian design, I have been arguing for some years for a “leapfrog strategy” in which India jumps directly from a resource-guzzling productivist model to a more advanced, sustainable – and competitive – services-based model.

Doors has been arguing this case in India for six years. The focus of our first formal event in India, at NID in February 2000, was on the transition to a services economy. We expanded this discussion in Doors East in 2003, and at Doors 8 on Infra in 2005. The theme of Doors 9 on Juice, in two weeks’ time, returns once again to the leapfrog idea, this time on the context of food and energy.

India’s new design policy suggests that we have not argued well enough.

The leapfrog hypothesis is doing much better in China. Ezio Manzini, a pioneer of the idea, was on the front page of the Peoples Daily a few weeks ago on just this topic. Senior Chinese policy makers told us, then, that they are looking to develop a fundamental “transformation of our economic growth model”. They said they expected design to play a crucial role in this tranformation.

On a third reading of last week’s announcement from the Indian Cabinet, I discovered a nugget of hope near the bottom of the last page. Item xvi.11 of an Action Plan to implement the Policy says a proposed new India Design Council should “Take effective steps towards ‘cradle to grave environment-friendly approach’ for designs produced in India so that they have global acceptance as ‘sustainable designs’”.

This reads more like an afterthought than a ringing endorsement for design’s biggest opportunity in 200 years. But it’s better than nothing.

Will India’s design education fall further behind? I doubt it. India’s designers are fast on the uptake. Give them the tools – in the form of the promised new institutions – and I’m confident they’ll adapt them to the task of One Planet Economy design.



New Reviews on Furtherfield Feb 07
February 16, 2007, 3:39 pm
Filed under: News

http://www.furtherfield.org

Review Title – CURATING AMBIGUITY – ELO.
About – The Electronic Literature Collection, Volume One.
Review by Franz Thalmair.

In autumn 2006 the ELO — Electronic Literature Organization released the ELC1 — Electronic Literature Collection Volume One, including selected works in New Media forms such as Hypertext Fiction, Kinetic Poetry, generative and combinatory forms, Network Writing, Codework, 3D, and Narrative Animations.

One of the main common characteristics of all Web-based literary products is that they can be read (or viewed, listened, played with, used) in multifaceted ways. Accordingly the curation of Electronic Literature is challenged by ambiguity and heterogeneity on different levels. As broadly termed by the ELO itself, Electronic Literature is a
form of cultural and artistic production on the Internet with important literary aspects that takes advantage of the contexts provided by the stand-alone or networked computer. Similar to what is not yet consistently defined as Digital Art, Netart, Internet Art, New Media Art, etc.

More: http://www.furtherfield.org/displayreview.php?From=Index&review_id=217

Review Title and name of work – The Possible Ties Between Illness and Success.
Review by Pau Waelder.

A work by Carlo Zanni in the form of a short, one-minute movie that plays over the web [1]. Starring Stefania Orsola Garello and Ignazio Oliva, the film has been produced with the quality of a major motion picture, yet it will be screened exclusively on the Internet. The reason for this is, the movie is meant to be transformed by its own audience.

When users visit the website to watch it, they leave a trace in the form of data (date and time of access, IP address, country of origin and so on). This data is collected by Google Analytics, and then sent to the server that hosts the film. A program interprets this information and fills the body of the man in the movie with stains, their number and location depending on the number of visitors and their origin. The film is then re-edited and uploaded so that the next users can watch a newly made movie. Their presence is monitored by Google Anaylitics, and the whole process starts again.

More: http://www.furtherfield.org/displayreview.php?From=Index&review_id=218

Review Title and name of work – You Are Not Here.
Review by Luis Silva.

Developed by Thomas Duc, Kati London, Dan Phiffer, Andrew Schneider, Ran Tao and Mushon Zer-Aviv and inviting people to “explore Baghdad through the streets of New York”, YANH presents itself as an urban tourism mash-up. Not only can you be in two places at the same time (the ubiquity concept we departed from), but also both places become interconnected in a psychological enactment of a meta-city. The underlying mechanism is pretty simple: users (the so-called meta-tourists) are invited to download and print on one side of a sheet of paper a map of Baghdad and on the other side a reversed map of New York. As soon as that task is accomplished the exotic sightseeing can begin. Scattered around New York are YANH street-signs that provide warned explorers (those who printed the map) as well as random passers-by the telephone number for the Tourist Hotline, where audio-guided tours of contemporary Baghdad destinations in NYC can be listened to.

More: http://www.furtherfield.org/displayreview.php?review_id=216

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