Filed under: News
Should we ask for the noise of the production of surplus, which audible effect does fixed capital have, or whether copy & paste in the wave-editor or the lyrics make somehow political sound?
Here you can see the Capital-Circuit >> http://www.n0name.de/kapitalkreislauf (in German, translation available). And you can see, that all wage labor has its prize. What is still missing now is your non-capitalistic contribution, which we can incorporate into the everyday practice of the criticism of the political economy!
Together with real,-Mapping we are looking for tracks, pieces, songs, audiomaterial related to the Reproduction Circuit of Capital.
We will burn all contributions as MP3 on a CD and publish the data online on a website. The contributors will be meantioned. All pieces will be set in relationships on a map there, in order to bring the various materials into an overview.
In may 2007 a releaseparty will take place in Berlin within the context of the globalRADIO during the filmfestival globale07 in the Haus Schwarzenberg/Neurotitan. All tracks will be played and we will distribute the CDs as give-away. radi0.tv will audiostream supported by gradio.org. Please watch out for e-mailflyers!
There will be no limit to lenght of the track or the file size. n0name reserves decreasing for technical and contentwise reasons.
Because of the ruling bourgeois rights n0name says: By sending to n0name, c/o top e.V. the authoress/author declares all audiomaterial sent in by her/him free to copy for the CD, the website and the events in connection with the poject “The Reproduction Circuit of Capital”. We point out that every download of tracks from the website is an act of copying. The sender is responsible to the exploitation corporations. The participation is unfortunately possible only under this circumstances. The author by participating agrees to these conditions. The common copyright remains with the authoress. The project explicitly does not support the Creative Commons campaign.
There will be no award. As thanks each will receive 3 CDs with the diagram. The project is not powered by any grant at present, so we may restrict this to 1 CD. You are working, because you are collaborating.
Please send your data with informations about the file as *.WAV or *.MP3 to:
n0name
“Capital-Circuit”
c/o top e.V.
Postfach 170134
10203 Berlin
Germany
Deadline: Thursday, 5th of April 2007 24:00 h
Contact: label(at)n0name.de
A coop of real,-Mapping, top e.V. und n0name
With thanks to MXKS
Berlin, 13th of February 2007
Filed under: News
THE MAP DESIGNERS AT FUTURESONIC 2007 / SOCIAL TECHNOLOGIES SUMMIT
MANCHESTER – UK, 10-12 MAY 2007
CALL FOR SUBMISSIONS
A special event by the British Cartographic Society & Society of Cartographers, focusing on the interface between cartography and cutting edge design. It will draw together map hackers, artists, cartographers, DIY technologists, architects, game programmers, bloggers and semantic web philosophers.
To ensure that we have as wide a range of contributors as possible, we would like to invite suggestions and papers on any of the above subjects for consideration. Please email details of suggested papers or any suggestions for contributions to lynda.bailey2@virgin.net.
On behalf of the Map Designers Group of the British Cartographic Society, and the Society of Cartographers.
Read posting:
http://www.futuresonic.com/07/map_designers.html
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FUTUREVISUAL AT FUTURESONIC 2007 / SOCIAL TECHNOLOGIES SUMMIT
MANCHESTER – UK, 10-12 MAY 2007
FINAL CALL FOR SUBMISSIONS
Deadline reminder: Thursday 15th February 2007
Futurevisual is a celebration of all things audiovisual, with a focus on audiovisual projects which emerge from, reference or are inspired by the transfusion of visual media and visual technologies within music culture, and the mixing of visual culture and music culture.
Futurevisual forms the centrepiece of Futuresonic Live at Futuresonic 2007 in Manchester/UK, and a dedicated space – the Futurevisual Lounge – will be available at the main festival venue for Futurevisual screenings. A selection of works will be shown at partner festivals in South Korea and Brazil, and as part of The Bigger Picture, Big Screen Manchester on a 25 square metre video screen with full sound system situated in Exchange Square, a public area regenerated after the IRA bomb in 1996, that has an estimated daily footfall of 50,000 people.
Learn more:
http://www.futuresonic.com/07/2007_submissions.html
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EVNTS 2007 AT FUTURESONIC 2007 / SOCIAL TECHNOLOGIES SUMMIT
MANCHESTER – UK, 10-12 MAY 2007
FINAL CALL FOR SUBMISSIONS
Deadline reminder: Thursday 15th February 2007
EVNTS is a strand of the Futuresonic festival which enables artist groups and event organisers to participate in the festival. Since its introduction in 2005, EVNTS has grown into a community of people who each year return to give the festival an extra edge.
Futuresonic now invites anyone working in music or media arts to take part in EVNTS 2007, with the EVNT Competition offering financial support for a limited number of events. Open to any programmer, curator, promoter, label or artist group anywhere in the world, with the focus on ground breaking and new events as well as one-off or adventurous events by established event organisers. Awards of GBP 1,000 and GBP 250 are available for people to stage an event as a part of EVNTS via the EVNT Competition. Proposals will be judged by an independent panel of music, arts and industry figures.
Learn more:
http://www.futuresonic.com/07/evnts.html
Filed under: News
When: 6-8 May 2007
CALL FOR SUBMISSIONS
Submission deadline: 12th March 2007
Combining music and mobile technology promises exciting future developments in a rapidly emerging field. Devices such as mobile phones, Walkmans and iPods have already brought music to the ever-changing social and geographic locations of their users and reshaped their experience of the urban landscape. With new properties such as ad hoc networking, Internet connection, and context-awareness, mobile music technology offers countless new artistic, commercial and socio-cultural opportunities for music creation, listening and sharing. How can we push forward the already successful combination of music and mobile technology? What new forms of interaction with music lie ahead, as locative media and music use merge into new forms of everyday experiences?
Scheduling and registration fees will be coordinated with Futuresonic to allow participants to easily attend both events.
Learn more:
http://www.mobilemusicworkshop.org
